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CORPORATE AUDIO VISUAL SERVICE IN DALLAS 2022

AV Labor Source, the corporate industry for audio visual labor service for any corporate live events in Dallas, Austin, San Antonio, Texas, and other major cities of California, Florida, Nevada and US nationwide. We are providing skilled AV staff for corporate audio visualproduction in Dallas, Texas and expanding to the US nationwide. Our main office is located in Las Vegas.



Why Choose Us


AV Labor Source is the reliable corporate audio visual labor services in the US nationwide, basically Dallas. We are here to provide skilled and qualified Technicians for live events. We have more than 15 years of experience in the AV Industry with completion of more than 1500 over shows and expos. We have 2500+ skilled Crew and Technicians Nationwide motivated to provide the best services for your event.


Our company doesn’t rent any AV equipment for events, we just provide with a skilled and experienced AV Crew and specialists.



Best Audio Visual Technician In Dallas, TX


AVLS is the best audio visual technician provider company in Dallas, Texas. We are giving you the experienced AV Technicians to setup and operate equipment and make your event successful.


Here’s a common list of the positions we provide:


AUDIO VISUAL TECHNICIANS

General Utility


The General Utility Tech is primarily used for the setting of meeting rooms, exhibits, basic audio, lighting, and video equipment. General Utility technicians should not be utilized in specific departments, such as the A2, L2 or V2 positions.


Breakout Room Operator


The Breakout Room Operator’s responsibilities include, but are not limited to: operation of simple break-out rooms, set up and strike of LCD projectors, and set up and operation of 8-16 channel analog audio consoles, basic video switcher/scaler.


Breakout Floater


The Breakout Floater assumes the same responsibilities as the Breakout Room Operator, but is not dedicated to one room.

AUDIO ENGINEERS


A1 (Audio Engineer)


The A1 directs the set-up, placement, tuning, operation, and strike of the entire audio system. The A1 is primarily used in the General Session and large Breakout Room environments.


A2 (Audio Assist)


The A2 assists the A1 with the setup and strike of the entire audio system. The A2’s responsibilities are not limited to: set/strike of wireless-microphones, assembly of line arrays, running of cables and intercom systems.


Show A2


The Show A2 assists the A1 during show. The primary responsibilities include: management of wireless-microphone frequencies.

LIGHTING ENGINEERS


Lighting Designer (LD)


The Lighting Designer’s responsibilities include, but are not limited to: designing the plot, fixture placement, power/signal distribution and the final “look” of the show. The LD position is primarily used in General Session; pre-production meetings with the client are highly recommended.


L1 (Lighting Engineer)


The L1 works closely with the LD and directs the set/strike of the entire lighting system. Responsibilities include, but are not limited to: directing fixture placement, assignment of dimmer patches, power/signal distribution, console programming and final focus and operation of the lighting console.


ME (Master Electrician)


The ME works directly with the LD/L1 with the distribution of power, assignment and patching of dimmers and lamp replacement.


L2 (Lighting Assist)


The L2 assists the L1 with the set and strike of the entire lighting system. The L2’s responsibilities include, but are not limited to: assisting the L1 with truss building, fixture placement, power/signal distribution and focusing.


Spot Operator


The Spot Operator is proficient at operating various types of spotlights and is comfortable taking cues on intercom from the Show Director


VIDEO & LED TECHS

V1 (Video Engineer)


The V1 is primarily used in the General Session and large Breakout Room environments.

V2 (Video Assist)


The V2 assists the V1, projectionist or tape op with the setup and strike of the entire video system. The V2 responsibilities include set/strike of projectors, screens, monitors, cameras, playback and record systems.


Projectionist


The Projectionist responsibilities include placement, stacking, converging and potential blending of all projection equipment.

Camera Operator


A Camera Operator’s responsibilities include building and operating all fixed broadcast/studio configured cameras, regardless of lens configuration..

Camera Operator – Hand-Held


A Hand-Held Camera Operator works at a non-fixed position. This Camera Operator is primarily used in the General Session and large Breakout Room environments.


LED Wall Programmer


The LED Wall Programmer directs the setup, configuration, programming, troubleshooting and disassembly of the LED wall.


GFX/Playback Pro Operator


The GFX/Playback Pro Operator’s responsibilities include, but are not limited to: the set up and operation of professional media playback systems, with a complete understanding of Playback Pro and other digital playback systems.


PowerPoint Designer


The PowerPoint Designer’s responsibilities include, but are not limited to: the design and assembly of the presentation and the operation of the show.


PowerPoint Operator


The PowerPoint Operator’s responsibilities include, but are not limited to: set/strike and operation of the entire PowerPoint Presentation.


Computer Network Tech


A Computer Network Tech’s responsibilities includes setting / striking and maintaining networks.


Computer Tech


The Computer Technician’s responsibilities include, but are not limited to: the set/strike of basic computer systems.


Teleprompter Operator


The Teleprompter Operators are owners/operators of their own equipment – they provide primary and basystems. The Teleprompter Operator is responsible for script preparation and editing, before and during the show.


On Site Show Manager


Project Manager


The Project Manager is an industry professional who is proficient in pre-production, operations and management of crew and gear. This person is the on-site Operations Manager and the liaison between the client and the crew. The Project Manager also interacts with venue management.


Technical Director


The Technical Director is a video engineer who specializes in the cueing, calling, routing and switching of the cameras.


Labor Coordinator


The Labor Coordinator’s responsibilities include, but are not limited to: checking in/out of all techs, distribution and management of the entire crew. The Labor Coordinator is also responsible for assisting with any additions, changes and/or cancelations throughout the entire event.


Crew Lead


A Crew Lead is required for a crew of 12-19 technicians. The responsibility of the Crew Lead is to act as general liaison to the on-site Project Manager and the office.

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